Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 45, Prelude in C♯ minor
FE (→EE1) and GE differ significantly, as far as the dynamic markings in bars 33-35 are concerned. The more precisely written down version of GE most probably matches the notation of the latter of two autographs of Prelude, [A2]. Actually, the version of FE does not precisely indicate all the details, yet it seems to describe basically the same or a very similar dynamic concept. Due to this fact, in the main text we consider only the first of those versions. In EE2 there is a compilation of the markings from FE and GE.
category imprint: Differences between sources
issues: EE revisions
notation: Verbal indications
Back to note