Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
p. 2, b. 19-35
p. 3, b. 36-51
p. 4, b. 52-67
p. 5, b. 68-85
p. 6, b. 86-103
Main text
Main text
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 10-18

Quaver d1 in JC

Quaver d1 in EF

Minim in PE

The extension of the note din bars 10 and 18, marked only in PE, is a typical Chopin's ploy. In bar 18 of this edition, an equivalent notation was applied, showing exactly the voices' coincidence. The notation may have resulted from a misunderstanding of the notation of [A], hence in both places we give the simplest notation used in bar 10.

The lower note of the sixth, f, is a quaver in JC, which is a patent inaccuracy in relation to the tie sustaining it into on the 3rd beat of the bar (see the next remark). According to us, it is yet probable that it corresponds to the notation of [AI] and illustrates the process of gradual improvement of the notation from bare quavers to the precise notation of ties of some of the notes. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors of JC

notation: Rhythm