Page: 
Source: 
p. 1, b. 1-18
p. 1, b. 1-18
p. 2, b. 19-35
p. 3, b. 36-51
p. 4, b. 52-67
p. 5, b. 68-85
p. 6, b. 86-103
Main text
Main text
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 1-3

The sources differ in the shape and placement of the accents on the 2nd beat of those bars (in JC there are no signs here). As far as the graphics is concerned, the authenticity of both vertical accents placed in PE above the upper pentagram and common accents between the pentagrams in EF does not raise any doubts – Chopin would frequently use both types of notation. In this context, they basically indicate the same performance, as the signs placed in both the first and second positions are to be considered as referring to the parts of both hands.

See b. 1-3

Compare the passage in the sources»

category imprint: Differences between sources

issues: Vertical accents

notation: Articulation, Accents, Hairpins