Page: 
Source: 
p. 11, b. 447-484
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 447

Three-note chord in EE

Five-note chord in GC (→GE) & FE

Notation without cautionary 

EE is most probably original. We cannot completely rule out chance omission of the chord elements written out on the bottom stave (a-h second is notated in the same way in the remaining sources).

In the main text we omit the redundant cautionary  before das it had no practical application.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Cautionary accidentals, Last key signature sign

notation: Pitch