Page: 
Source: 
p. 4, b. 159-198
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
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Important
Main
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  b. 159-183

 and leggierissimo in EE

leggierissimo and  in GC

 and leggierissimo in GE

 and  in FE

Our suggestion

Dynamic markings at the beginning of quaver figurations in bars 159, 167, 175 and 183 are written in the sources in several different manners, yet those differences are without greater practical significance. For our main text we basically adopt the indications found in GC (→GE) and EE; we also move to the space between the staves those  dynamic marks that were placed under the L.H. part,  as in further repetitions of similar phrases Chopin usually placed them between the parts of both hands. The markings of FE are less accurate, or partly even erroneous. 

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category imprint: Differences between sources

issues:

notation: Verbal indications