mUltimate Chopin

Op. 49, Fantaisie in F minor

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Page: 
Source: 
p. 2, b. 21-42
p. 1, b. 1-20
p. 2, b. 21-42
p. 3, b. 43-60
p. 4, b. 61-75
p. 5, b. 76-90
p. 6, b. 91-105
p. 7, b. 106-126
p. 8, b. 127-147
p. 9, b. 148-163
p. 10, b. 164-178
p. 11, b. 179-198
p. 12, b. 199-224
p. 13, b. 225-240
p. 14, b. 241-255
p. 15, b. 256-271
p. 16, b. 272-293
p. 17, b. 294-315
p. 18, b. 316-332
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
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  b. 27

In FCs the notation of the 2nd beat in the R.H. part is ambiguous (see transcript) – the top voice a1 semiquaver was written clearly earlier than the bottom voice b (of unspecified rhythmic value). According to us, it is probably an inaccuracy resulting from, e.g. corrections to the Chopinesque sketch (change of g1 to a1?), hence we interpret this notation in accordance with the final version.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Interpretations within context; Source & stylistic information

issues:

notation: Rhythm

Missing markers on sources: A, FE1, FE2, FEJ, FES, GE1, GE2, EE1, EE2
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