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Issues : Enharmonic corrections
b. 3-4
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composition: Op. 30 No. 4, Mazurka in C# minor
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In bar 3 all sources feature a completely unjustified The sharp in bar 3 must have been entered into [A] by Chopin. According to us, it could be an echo of the initial notation of bars 1-2, in which the top R.H. minim was written down as g1. category imprint: Differences between sources; Editorial revisions; Corrections & alterations; Source & stylistic information issues: EE revisions , GE revisions , Cautionary accidentals , Enharmonic corrections |
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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Before the 6th quaver one can see a crossed out flat in A. Allegedly, at first Chopin wanted to write g category imprint: Corrections & alterations issues: Deletions in A , Enharmonic corrections |
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b. 10
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A one can see corrections on the 2nd beat of the bar – the R.H. figure was crossed out and rewritten on the stave above. Chopin wanted to change the enharmonic notation of the 5th and 6th demisemiquavers from f category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Deletions in A , Enharmonic corrections |
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b. 12
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composition: Op. 28 No. 12, Prelude in G♯ minor
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This bar was entirely crossed out in A and rewritten on adjacent staves – the R.H. above the crossing-out, while the L.H. – below. In the readable initial version, the regular steps of the R.H. quavers and the position of the 1st L.H. chord are preserved, while the f1 notes are written enharmonically as e category imprint: Corrections & alterations; Source & stylistic information issues: Omissions to cancel alteration , Corrections in A , Deletions in A , Accompaniment changes , Enharmonic corrections , Main-line changes |
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b. 15
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composition: Op. 29, Impromptu in A♭ major
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Before the 11th quaver there can be seen a deletion in A; the deleted sign was probably an accidental. category imprint: Corrections & alterations issues: Deletions in A , Enharmonic corrections |