![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Deletions in A
b. 1
|
composition: Op. 29, Impromptu in A♭ major
..
In A Chopin deleted the abbreviated performance indication m.v. (= mezza voce) category imprint: Corrections & alterations issues: No initial dynamic marking , Deletions in A |
|||||||||||||||
b. 1
|
composition: Op. 29, Impromptu in A♭ major
..
In A the sign above the 4th quaver in the L.H. is deleted - it is probably an accent, although it could also have been the head of c1. category imprint: Corrections & alterations issues: Deletions in A |
|||||||||||||||
b. 1
|
composition: Op. 25 No 1, Etude in A♭ major
..
In the main text we give the title and dedication in accordance with the title page of the entire opus in A (we develop the Mme and Csse abbreviations used in A) and FE. In A (→GE) and FE, the particular etudes are provided with an additional title, Etude, with a corresponding ordinal number, which we represent through the number preceding the score. In EE, the numbering includes 12 Etudes, Op. 10, hence this etude is No. 13. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions , Deletions in A |
|||||||||||||||
b. 1-2
|
composition: Op. 25 No 1, Etude in A♭ major
..
category imprint: Differences between sources; Corrections & alterations issues: Deletions in A |
|||||||||||||||
b. 1-2
|
composition: Op. 25 No 1, Etude in A♭ major
..
The long accent under f2 at the beginning of bar 2 in #AW is the original concept of dynamic markings in these bars. In A one can see that Chopin rejected the accent (placed above this note) in favour of a pair of category imprint: Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , GE revisions , Deletions in A |