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Issues : Rhythmic errors
b. 1
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composition: Op. 28 No. 13, Prelude in F♯ major
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In the sources, the time signature is 3/2. It is Chopin's mistake (the correct time signature is 6/4), perhaps related to the change of notation – Chopin started writing the Prelude with half the rhythmic values, which is evidenced by the reduced number of beams (one of the beams was crossed out) in the 1st accompaniment figure and by the dotted crotchets constituting the 1st R.H. chord (which was crossed out). The initial time signature was carefully blacked out, hence its interpretation is uncertain; however, it was most probably 6/8. category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , Rhythmic errors , Deletions in A |
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b. 4
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composition: Op. 43, Tarantella
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In A, FC3 (→FE→IE), EE and GE1 there is no extending dot on minim c1 on the first beat of RH but the dot apears upon the theme’s repetition in corresponding b. 180, which allows us to assume with great probability that b.4 is inaccurate. The relevant revision was already made in GE2 (→GE3→GE4). category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A |
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b. 4-12
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composition: Op. 10 No 5, Etude in G♭ major
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In A d category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Rhythmic errors , Errors of A , Authentic corrections of FE |
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b. 4
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composition: Op. 28 No. 21, Prelude in B♭ major
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Interpreting the top note of the 6th L.H. quaver, e To eliminate the possibility of creating incoherent combinations of variants from different notes, we include the fingering of EE and FES, which applies to the e category imprint: Differences between sources issues: EE revisions , Rhythmic errors , Deletions in A , Errors of FC , Inaccuracies in A |
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b. 4
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composition: Op. 2, Variation IV, primitive version
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While writing AsI, Chopin committed 2 rhythmic mistakes – the third bass F is a quaver, and not a semiquaver, while the 4th R.H. hemidemisemiquaver group was initially written with five beams, hence in twice as short rhythmic values. The latter was subsequently corrected by combining the two topmost beams into one. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Rhythmic errors |