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Issues : Omission of current key accidentals
b. 2
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composition: Op. 64 No 2, Waltz in C♯ minor
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In the previous autographs, Chopin tried varied versions of chords in this bar. Eventually, he used the original version only (with an a category imprint: Differences between sources; Corrections & alterations |
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b. 4
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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FE (except for FE4) lacks in five necessary accidentals – naturals before d2 and b and sharps before f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC , Authentic corrections in GC |
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b. 5-6
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composition: WN 17, Polonaise in B♭ major
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In JC, there are no flats lowering a and a1 into a category imprint: Differences between sources issues: Cautionary accidentals , Omission of current key accidentals , Errors of JC |
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b. 5
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composition: Op. 28 No. 14, Prelude in E♭ minor
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The missing naturals raising c * A precautionary approach should be taken in the case of a reasoning based on a cautionary accidental – in b. 12 in A we can also observe crossed-out flats before c category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Deletions in A , Annotations in FES , Last key signature sign |
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b. 7-10
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composition: Op. 28 No. 3, Prelude in G major
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FCI does not contain any accidentals in the R.H. part in these bars. The missing sharps in b. 7 and 9 are a patent inaccuracy (formally speaking, a cautionary category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Errors of FC |