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Issues : Errors resulting from corrections
b. 1
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composition: Op. 10 No 10, Etude in A♭ major
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A crotchet as the rhythmic value of the upbeat in A could have been related to the original accentuation of bars 1-4, determining the crotchet beat. Moreover, it cannot be excluded that Chopin had in mind a dotted crotchet – cf. minims in the L.H. in bars 1-3 and 5-6, as well as crotchets in bars 4 and 7). In each case a quaver flag in FE (→GE,EE) was probably added by Chopin, therefore we adopt the version with the quaver to the main text (in FE an uncorrected crotchet rest was left in the L.H., which was corrected in GE and EE). category imprint: Differences between sources issues: Errors in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 1
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composition: Op. 25 No 8, Etude in D♭ major
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In A the bottom note of the 4th quaver was corrected by Chopin from g category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections , Accompaniment changes |
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b. 1
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composition: Op. 28 No. 13, Prelude in F♯ major
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In the sources, the time signature is 3/2. It is Chopin's mistake (the correct time signature is 6/4), perhaps related to the change of notation – Chopin started writing the Prelude with half the rhythmic values, which is evidenced by the reduced number of beams (one of the beams was crossed out) in the 1st accompaniment figure and by the dotted crotchets constituting the 1st R.H. chord (which was crossed out). The initial time signature was carefully blacked out, hence its interpretation is uncertain; however, it was most probably 6/8. category imprint: Editorial revisions; Corrections & alterations; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , Rhythmic errors , Deletions in A |
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b. 3
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composition: Op. 10 No 6, Etude in E♭ minor
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While proofreading FE, Chopin added the fingering of the L.H. in bars 3-4, particularly '3' over the first sustained a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors resulting from corrections , Authentic corrections of FE |
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b. 3-6
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composition: Op. 10 No 10, Etude in A♭ major
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The notation of e category imprint: Editorial revisions issues: Corrections in A , Errors resulting from corrections |