![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccurate slurs in A
b. 1-12
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
The first slur of the Mazurka begins on a bar-line in A, which allows a twofold interpretation. The slur at the end of bar 12 (1a volta) also may be read as encompassing only two quavers or longer. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
|||||||||||
b. 1-5
|
composition: Op. 10 No 2, Etude in A minor
..
The slurs in Ap seem to be fragmented and their task is probably only to remind of the legato articulation. Anyway, Chopin did not determine the phrasing here in the version prepared for printing. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
|||||||||||
b. 1-4
|
composition: Op. 10 No 6, Etude in E♭ minor
..
Each of four slurs in the L.H. written in A embraces the entire bar, despite the fact that due to the inconvenient graphic layout, the notation is not always precise. In FE (→EE2) only two out of them were recreated, in bars 2-3. Similarly in GE1, in which the slur in bar 3 is led only to the penultimate note, a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Inaccurate slurs in A , GE revisions |
|||||||||||
b. 1
|
composition: Op. 10 No 7, Etude in C major
..
According to us, separating the accented a category imprint: Editorial revisions issues: Inaccurate slurs in A |
|||||||||||
b. 1-2
|
composition: Op. 10 No 4, Etude in C♯ minor
..
In AI the slur does not embrace two entire bars, yet its shape and melodic context suggest that Chopin most probably had in mind such slur like in FE (→GE,EE). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |