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Issues : Inaccuracies in GE
b.
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composition: Op. 50 No. 2, Mazurka in A♭ major
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None of the first editions reproduced the arpeggio before the chord with grace note correctly. The version of FE (→EE) is most probably a distorted notation of A1: the vertical curved line marking the arpeggio was reproduced as a conventional one, which converted it into a tie of the grace note. In GE the wavy line of the arpeggio encompasses the L.H. e category imprint: Differences between sources issues: Inaccuracies in GE , FE revisions |
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b. 1
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composition: Op. 29, Impromptu in A♭ major
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The category imprint: Differences between sources issues: Changes of metre , Inaccuracies in GE , Inaccuracies in FE , 4/4 or 2/2 |
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b. 1
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composition: Op. 24 No. 1, Mazurka in G minor
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In GE, the note D is furnished with a dot despite the fact that a wedge is clearly visible in A. The sign was entirely omitted from FE (→EE) (cf. bar 13 and bars 5 and 9). GE (→FE→EE have only dots as staccato signs in the entire Mazurka. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 1-32
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composition: Op. 24 No. 1, Mazurka in G minor
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In those bars, the pedal release asterisks are put in A usually at the end of the bar, after the 3rd crotchet of the L.H. (with the exception of bar 17 and analog. and the 1st volta of bar 32). In GE (→FE→EE) all the signs were printed under the 3rd crotchet which suggests – against A – the need of rhythmic release of the pedal in that moment. The problem also occurs in the second part of the Mazurka. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 1
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composition: Op. 24 No. 3, Mazurka in A♭ major
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Chopin wrote into A a mark AI has no pedal markings becuse of the different L.H. part version. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |