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Issues : Long accents
b. 1-7
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composition: Op. 24 No. 3, Mazurka in A♭ major
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AI has no accents for g1 in bars 1, 3 & 7 (a similar situation appears in bar 25, 27 & 31). The discussed bars are among few places in which Chopin's long accents are reproduced quite precisely in GE (→FE→EE). category imprint: Differences between sources issues: Long accents |
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b. 1-6
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composition: Op. 10 No 12, Etude in C minor
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Determining which type of accents Chopin had in mind at the time of writing A is not an easy task. The marks have different length, yet it is rather a result of a hasty notation than the will to differentiate them. According to us, this fact supports the decision to consider them as short accents, being the most natural solution in this context. This is how they were reproduced in FE (→GE,EE). Due to the described doubts, we also give long accents as a possible interpretation of A. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 1-9
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composition: Op. 10 No 6, Etude in E♭ minor
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In A the first long note of the theme, g category imprint: Differences between sources issues: Long accents |
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b. 1-2
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composition: Op. 25 No 1, Etude in A♭ major
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The long accent under f2 at the beginning of bar 2 in #AW is the original concept of dynamic markings in these bars. In A one can see that Chopin rejected the accent (placed above this note) in favour of a pair of category imprint: Differences between sources; Corrections & alterations issues: Long accents , Inaccuracies in GE , GE revisions , Deletions in A |
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b. 1
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composition: Op. 64 No 1, Waltz in D♭ major
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In A Chopin undoubtedly wrote a long accent. In all editions and impressions of the Waltz, a short accent was placed. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |