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Issues :
b. 52
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composition: Op. 44, Polonaise in F♯ minor
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To the main text we adopt the notation of GE, based on [A]. Chopin would use both symbols interchangeably to mark a mordent; however, the version of FE may be regarded as a variant. category imprint: Differences between sources |
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b. 78
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composition: Op. 44, Polonaise in F♯ minor
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To the main text we adopt the notation of GE, based on [A]. Chopin would use both symbols interchangeably to mark a mordent; however, the version of FE may be regarded as a variant. category imprint: Differences between sources |
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b. 151-153
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composition: Op. 21, Concerto in F minor, Mvt I
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The category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , |
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b. 184
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composition: Op. 2, Variations, complete
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In AsI the ornament, added probably later, is provided with a draft and not entirely clear form; however, it is most probably None of the sources includes a mark that would specify the sound of the ornament's top note. The prevailing key in b. 184-190, F major, requires the use of e2, which in the main text we indicate with naturals. Omissions of accidentals in similar situations is a rule rather than an exception in Chopin's pieces – apparently, the composer believed that the sense of key would suggest the right note to the performer. category imprint: Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations issues: Errors in FE , Placement of markings , FE revisions , , |
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b. 285
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composition: Op. 44, Polonaise in F♯ minor
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Like in b. 52 and 78, to the main text we adopt the notation of GE, based on [A]. Chopin would use both symbols interchangeably to mark a mordent; however, the version of FE may be regarded as a variant. category imprint: Differences between sources |