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Issues : Annotations in FESf
b. 248-249
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composition: Op. 19, Bolero
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In the main text, we give the fingering written in pencil to FES (with one added digit for more clarity), coming most probably from Chopin. A different fingering, probably coming from Chopin, is in FESf. The poorly legible annotation in FEO may be interpreted in a variety of ways – we suggest these interpretations that lead to a pianistically natural fingering as variants. The fingering in EE comes from the editor and it is inauthentic. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FES , Annotations in FEO , Annotations in FESf |
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b. 267-268
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composition: Op. 31, Scherzo in B♭ minor
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In FE b. 267 closes the line of the text. There are no ties of the R.H. minims, f category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FESf |
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b. 273-274
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composition: Op. 31, Scherzo in B♭ minor
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The omitted ties in FE (→EE) and FC (→GE1) must be mistakes. The tie of E was added in GE2 (→GE3), most probably on the basis of comparison with the analogous places. A tie next to g category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , GE revisions , Errors of FC , Annotations in FESf |
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b. 372-373
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composition: Op. 31, Scherzo in B♭ minor
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The missing tie of f category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Errors in GE , GE revisions , Annotations in FESf |
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b. 477
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composition: Op. 31, Scherzo in B♭ minor
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The category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE , Annotations in FESf |