Issues : Authentic corrections of EE
b. 1
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composition: Op. 42, Waltz in A♭ major
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category imprint: Differences between sources issues: Authentic corrections of GE , Authentic corrections of EE |
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b. 1
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composition: Op. 42, Waltz in A♭ major
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The tempo indication Vivace was most probably introduced by Chopin in the base text for EE. category imprint: Differences between sources issues: Changes of tempo markings , Authentic corrections of EE |
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b. 7-9
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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Determining Chopin's intention concerning the slurring of bar 8 (together with adjacent chords) encounters difficulties. The composer's idea can be represented both in the source versions and in our suggestions, considering a possible oversight of the engraver of FE. It is the versions of GC (the main text) and two versions based on the reconstructed on the basis of the reprise slur of FE that we consider to be most reliable, as far as the sources are concerned, and pianistically natural. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Corrections & alterations issues: Errors in FE , Authentic corrections of EE |
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b. 9
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composition: Op. 42, Waltz in A♭ major
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Chopin added the leggiero indication in FEG (→GE) and certainly also in the base texts to FE and EE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE , Authentic corrections of EE |
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b. 9-24
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composition: Op. 42, Waltz in A♭ major category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of EE |