![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccuracies in A
b. 1
|
composition: WN 55, Waltz in F minor
..
In AG, Chopin did not write the time signature; the remaining sources feature a 3/4 marking. category imprint: Differences between sources issues: Inaccuracies in A |
|||||||||||
b. 1-6
|
composition: Op. 25 No 8, Etude in D♭ major
..
Chopin's intention of providing all bass notes with staccato dots remains beyond any doubt, despite the fact that in A the last dot is missing (or it is written in an unclear manner). It is FE and GE2 (→GE3) that include the totally correct notation in this respect. In the remaining editions, the notation is more or less inaccurate – GE completely omits the dots in these bars, while EE puts them only next to a few notes, rather accidentally (one dot was omitted in each of the following bars: 1-3 and 5-6). category imprint: Differences between sources issues: Errors in GE , GE revisions , EE inaccuracies , Inaccuracies in A |
|||||||||||
b. 1-28
|
composition: Op. 28 No. 1, Prelude in C major
..
The placement of the
In the remaining sources the pedalling is – except for a few minor inaccuracies – fully unified, with an category imprint: Graphic ambiguousness; Differences between sources; Source & stylistic information issues: Inaccuracies in A |
|||||||||||
b. 1-5
|
composition: Op. 28 No. 5, Prelude in D major
..
The differences between the sources result from mistakes and inaccuracies of both the copyist and the engravers of FE and GE. However, the issues concerning the decipherment and the interpretation of A were caused by, e.g. a dense notation, without spaces between the staves – actually, in A there is no space for pedalling markings, added later, which resulted in them being placed inaccurately at times. The interpretation of A given in the main text corrects the position of the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Errors in GE , GE revisions , Inaccuracies in FC , Inaccuracies in A |
|||||||||||
b. 1-2
|
composition: Op. 28 No. 6, Prelude in B minor
..
The range of the CGS overlooked the vast majority of dynamic markings – except for two Similar problems and differences occur in following, similar bars 3-5, 9-11 and 23-24. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Inaccuracies in A |