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Issues : Alterations in GC
b. 1
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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It is hard to state which of the performance indications at the beginning of the Scherzo – Before the 1st crotchet of the piece, in GC one can see a deleted indication, probably risoluto. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Alterations in GC , Authentic corrections in GC |
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b. 13
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composition: Op. 38, Ballade in F major
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The bottom note of the second chord in the R.H. was certainly corrected in GC from d1 to e1. It is hard to state clearly whether it is Gutmann's own correction or whether it was Chopin that noticed and corrected the wrong pitch while reviewing GC. Similar ambiguities resulting from corrected pitches of some notes appear repeatedly in the entire Ballade, yet in the majority of cases it is possible to determine what the original pitch was and to which one it was corrected. In some places the ambiguous pitch of a note in GC was misinterpreted and copied to GE. category imprint: Graphic ambiguousness; Corrections & alterations; Source & stylistic information issues: Inaccuracies in GC , Alterations in GC |
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b. 14
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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GC included a D category imprint: Corrections & alterations; Source & stylistic information issues: Alterations in GC |
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b. 16
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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At the end of the bar, in the part of the L.H., Chopin deleted the category imprint: Source & stylistic information issues: Alterations in GC , Authentic corrections in GC |
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b. 18
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In FE1 two mistakes were committed in this bar, corrected in the subsequent impressions: on the 4th quaver of the bar there is a category imprint: Differences between sources; Source & stylistic information issues: Errors in FE , FE revisions , Alterations in GC |