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Issues : Corrections of AI
b. 1-5
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composition: Op. 2, Variation IV, primitive version
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In AsI the 4th hemidemisemiquaver figure in bars 1 and 5 is the same as the third one, although the semiquaver ending the passage is different – D instead of B category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Corrections of AI |
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b. 3-24
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composition: Op. 64 No 2, Waltz in C♯ minor
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On the 2nd beat in bars 3-4, 7-8, 19-20 and 23-24 As has two quavers in the R.H. In bars 3-4 and 7-8 the rhythm was probably written initially in AI too, Chopin, however, added there rests and semiquaver ties of the final version (it is proved by spaces between the notes). category imprint: Differences between sources; Corrections & alterations issues: Corrections of AI |
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b. 4-20
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composition: Op. 64 No 2, Waltz in C♯ minor
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As includes two written versions of bar 4 – in the main course of the text it features the version with e1 as the bottom note of all dyads in the R.H. and the g category imprint: Differences between sources; Corrections & alterations issues: Corrections of AI |
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b. 7-23
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composition: Op. 64 No 2, Waltz in C♯ minor
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The deletion visible in As suggests that the B-g category imprint: Differences between sources; Corrections & alterations issues: Corrections of AI |
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b. 7
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composition: Op. 2, Variation IV, primitive version
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In the 1st half of the bar, the L.H. part bears traces of corrections in AsI. While working on this manuscript, the initial version: category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |