Issues : Errors of FC
b. 1
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composition: Op. 28 No. 4, Prelude in E minor
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The omission of at the beginning of the piece must be a mistake of the copyist, perhaps provoked by the indication having been placed in A still before the time signature. category imprint: Differences between sources issues: Errors of FC |
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b. 1-14
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composition: Op. 28 No. 10, Prelude in C♯ minor
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The omission of 9 out of 20 arpeggios in b. 1-2 and analog. in FC (→GE) resulted from inadvertence, perhaps haste of the copyist. Characteristically, 8 of these oversights fall on the second part of the piece, b. 9-10 and 13-14. category imprint: Differences between sources issues: Errors of FC |
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b. 1
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composition: Op. 28 No. 23, Prelude in F major
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category imprint: Differences between sources issues: Errors of FC |
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b. 1
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composition: Op. 28 No. 22, Prelude in G minor
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The missing ties of the a-c1 third must be Fontana's mistake in FC (→GE1). GE2 (→GE3) added only the tie of c1; perhaps it is a result of an incompletely implemented revision – in analogous b. 35 both ties were added. category imprint: Differences between sources issues: GE revisions , Errors of FC |
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b. 1
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In this bar Fontana overlooked all performance indications except the slur, i.e. , pedalling markings, accents and the staccato dot in the bass. category imprint: Differences between sources issues: Errors of FC |