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Issues : Unclear hairpins in A
b. 4
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composition: Op. 25 No 1, Etude in A♭ major
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In the main text we give a pair of category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of GE , Unclear hairpins in A |
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b. 10
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composition: Op. 27 No 2, Nocturne in D♭ major
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The hairpins
We place the indication espressivo above the upper staff, not to interfere with category imprint: Graphic ambiguousness; Differences between sources issues: Unclear hairpins in A |
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b. 10
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composition: Op. 27 No 2, Nocturne in D♭ major
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The point where the category imprint: Graphic ambiguousness; Differences between sources issues: Unclear hairpins in A |
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b. 10-11
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composition: Op. 25 No 1, Etude in A♭ major
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The category imprint: Differences between sources issues: Inaccuracies in GE , Unclear hairpins in A , Inaccuracies in A |
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b. 14
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composition: Op. 29, Impromptu in A♭ major
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The sources differ in the range of dynamic hairpins. A's notation is ambiguous ‒ the lower arm is much shorter. Half-bar hairpins of GE are clearly longer than in A, on which the edition was based. It is a typical example of the manner of adjusting marks to the metric units. category imprint: Graphic ambiguousness; Differences between sources |