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Issues : Sign reversal
b. 4
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composition: Op. 10 No 2, Etude in A minor
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The category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Long accents , Errors in FE , Sign reversal |
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b. 6
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composition: Op. 27 No 2, Nocturne in D♭ major
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Chopin introduced a number of changes when correcting FE, also in performance markings. Here, however, it is almost certain that the hairpin was accidentally reversed by the engraver. category imprint: Differences between sources issues: Inaccuracies in FE , Sign reversal |
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b. 23
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composition: Op. 25 No 7, Etude in C♯ minor
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In the main text we give the unambiguous category imprint: Differences between sources issues: Errors in FE , Sign reversal |
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b. 24
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composition: Op. 10 No 6, Etude in E♭ minor
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In the main text we give the hairpins after A. In FE (→GE,EE) they were aligned to the third of the upper voice, which most probably was a manner of the engraver of FE. In GE5 the direction of the mark was reversed. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , Sign reversal |
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b. 27-29
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composition: WN 17, Polonaise in B♭ major
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To the main text we adopt two category imprint: Interpretations within context; Differences between sources issues: Sign reversal , Errors in PE |