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Issues : Annotations in teaching copies

b. 3

composition: Op. 25 No 2, Etude in F minor

Fingering in FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 3-4

composition: Op. 25 No 2, Etude in F minor

'4' written into FES

Our suggestion

No teaching fingering
..

In the main text we list the complementary fingering versions written in different sources in this bar and its subsequent repetitions:

  • '1' written into AW in bar 53,
  • '4' written into FES,
  • '3' written into FES in bar 54

(cf. General Editorial Principles, p. 17).

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FES

b. 3

composition: Op. 35, Sonata in B♭ minor, Mvt IV

Fingering written into FED

No teaching fingering
..

The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. Similarly in the R.H. and in bars 4-5.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 3

composition: Op. 35, Sonata in B♭ minor, Mvt IV

Fingering written into FED

No teaching fingering
..

The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. Similarly in the L.H. and in bars 4-5.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 3

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

No teaching fingering
..

The authenticity of the fingering added in FEH is uncertain – see the characterization of that source.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH