Issues : Annotations in FED

b. 6-7

composition: Op. 25 No 2, Etude in F minor

'1' written into FED

Fingering in AW in bars 56-57

No teaching fingering

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Cf. General Editorial Principlesp. 17.

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FED

b. 6

composition: Op. 25 No 8, Etude in D♭ major

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FE features eas the top note of the sixth beginning the 2nd half of the bar. This patent error was corrected in both pupils' copies, including annotations in this Etude FED and FES.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Annotations in FES

b. 6

composition: Op. 28 No. 11, Prelude in B major

Fingering written into FED

No teaching fingering

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In the main text we include the fingering entered probably by Chopin into FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 7

composition: Op. 10 No 5, Etude in G♭ major

Fingering in A

Fingering in FE (→GE,EE)

Fingering written into FED

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The fingering written by Chopin in A (two '1's) was completed by him in a proofreading of FE (→GE,EE). In the main text we also consider the authentic entry in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Authentic corrections of FE

b. 7-8

composition: Op. 10 No 3, Etude in E major

No signs in AI, A & FE (→GE,EE)

Arpeggio signs written into FED

Our variant suggestion

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Chopin added the little slurs indicating arpeggios in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED