Issues : EE revisions
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b. 1-3
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composition: Op. 25 No 1, Etude in A♭ major
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The fingering added in EE2 (→EE3) in bars 1 and 3 is certainly an addition of the revision. Therefore, despite its obvious accuracy, we give it in smaller, italicised font. category imprint: Differences between sources issues: EE revisions |
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b. 1
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composition: Op. 25 No 2, Etude in F minor
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In the main text we give the title and dedication according to the title page of the entire opus in GC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 1-14
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composition: Op. 25 No 2, Etude in F minor
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Nothing indicates a possible, even partial authenticity of the fingering added in EE2 (→EE3). Therefore, differently than in the Etudes, Op. 10, in which the author of the fingering was Chopin's friend, Julian Fontana, we give them in italics in a smaller font. category imprint: Differences between sources issues: EE revisions |
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b. 1
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composition: Op. 25 No 3, Etude in F major
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In the main text we give the title and dedication in accordance with the title page of the entire opus in GC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
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b. 1
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composition: Op. 25 No 4, Etude in A minor
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In the main text we give the title and dedication in accordance with the title page of the entire opus in FC and FE. category imprint: Differences between sources issues: EE revisions , Dedications , GE revisions |
major, 
