Issues : Errors repeated in FE
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b. 14
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composition: Op. 28 No. 22, Prelude in G minor
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A (→FC,FE) has no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 14
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composition: Op. 28 No. 23, Prelude in F major
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There is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 15-18
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC,FE) there is no category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Deletions in A , Errors repeated in FE |
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b. 15
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composition: Op. 2, Variations, complete
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The category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 16
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we include the naturals before the penultimate R.H. octave (d3-d4) present in GE and EE. The absence of those accidentals in FE suggests that they were not included in the manuscripts and that the revisers of EE and GE added them while correcting an overlooked cancellation of alteration (typical of Chopin). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors repeated in FE |
lowering a1 to a
1. The obvious inaccuracy was corrected in 
raising b
to f in the 3rd L.H. figure of each of these bars. Interestingly enough, Chopin was convinced that there was no need for an accidental here, since he crossed it out the first time (in b. 15). All naturals were added in