Issues : Abbreviated notation of A
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b. 6-17
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composition: WN 37, Lento con gran espressione
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Wherever possible, A1, CJ and CK used abridged notation to mark repeated accompaniment figures – the / signs were used in the second halves of b. 6-9, 12, 14-15 and 17. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 7-16
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composition: Op. 10 No 9, Etude in F minor
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In AI the 2nd halves of bars 7, 8 and 16 were briefly marked with the // sign. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 7-8
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composition: Op. 25 No 6, Etude in G♯ minor
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In FC, in both bars, the 2nd, 3rd and 4th group of semiquavers are written in an abbreviated manner as repetition of the first. Similarly in analogous places – cf., bars 19-20, 23-24, 35-36, 39-40, 49-50 and 53-54. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 7-15
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GC – certainly in accordance with [A] – bar 7 is written in an abbreviated manner as a repetition of bar 6. Similar abbreviations appear also in the part of the L.H. in bars 10-11, 12 (the 2nd half of the bar) and 15. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 7
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composition: Op. 28 No. 22, Prelude in G minor
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In the manuscripts this bar is marked in an abridged manner as repetition of the preceding one. category imprint: Differences between sources issues: Abbreviated notation of A |