Issues : FE revisions

b. 7

composition: Op. 63 No. 1, Mazurka in B major

b-c1 in AI, FE2 (→EE) & GE3

c1-d1 in FE1 (→GE1GE2)

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The c1-d1 second in FE1 (→GE1GE2) must be a mistake (most probably by the engraver), which is proven by b-c1:

  • present in AI,
  • introduced by Chopin in the stage of proofreading FE2 (→EE),
  • present in all sources in bar 75 (upon repetition of this place).

The correct text of GE3 most probably resulted from the fact that a copy of FE2 was used in the revision.

category imprint: Differences between sources

issues: Errors in FE , GE revisions , FE revisions , Errors repeated in GE

b. 7

composition: Op. 63 No. 1, Mazurka in B major

 over d2 in AI & GE3

 under b in FE (→EE,GE1GE2)

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As in bar 5, the  having been placed under b resulted from a routine revision of FE (→EE,GE1GE2). The misleading notation was corrected only just in GE3.

category imprint: Differences between sources

issues: Placement of markings , GE revisions , FE revisions

b. 8

composition: Op. 35, Sonata in B♭ minor, Mvt II

a in chord in GC (→GE) & FE2 (→EE,FE3FE4

a in chord in FE1

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The version with a in FE1 is certainly not intended by Chopin, which is proved by the  before the note in the respective bar of the recapitulation, which was not written in the base text to FE, as well as the compatible text of the remaining sources in the discussed bar. The engraver, instead of a , wrote an erroneous  before this note (unjustified in this context).

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , FE revisions

b. 8

composition: Op. 28 No. 8, Prelude in F♯ minor

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In contrast with A, in FE (→EE) the last L.H. figure was written in the treble clef, thanks to which it was not necessary to repeat the flats next to the 2nd and 3rd semiquavers. However, FE1 misinterpreted the  before f1 as a , which changed that note into f1. The erroneous accidental was removed in FE2 (→EE). We reproduce both that mistake and the changed layout only in the graphical transcription ("transcription").

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , FE revisions

b. 8

composition: Op. 28 No. 22, Prelude in G minor

Quaver in A (→FC), contextual interpretation (→FEEE)

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The chord in the R.H. part in A (→FCGE) is a crotchet, which, along with the rests filling 5 quavers, adds up to 7 quavers. The way the R.H. part is distributed over the R.H. shows that the excess rhythmic values are to be looked for on the 2nd or 3rd quaver – either Chopin forgot to write a quaver flag to the stem of the chord or he unnecessarily wrote a rest over the 3rd L.H. quaver. In the editors' opinion the former – an erroneous oversight of one element of notation – is more likely than the latter – entering a superfluous rest. Adding a quaver flag is also how this passage was corrected in FE (→EE).
GE repeated the mistaken rhythm after FC, and what is more, erroneously placed all 3 rests following the chord in the 2nd half of the bar, over the 3 L.H. octaves (the identical error in distribution.of rests was also comitted in FE).

The erroneous notation of the sources is reproduced in the graphic transcription ("transcript" version). In the content transcription ("edited text") we interpret the text of A, FC and FE in accordance with the correction introduced in FE, and the text of GE the alternative way.

The chord in the R.H. part in A (→FCGE) is a crotchet, which, along with the rests filling 5 quavers, results in 7 quavers. The mistake was corrected in FE (→EE) by adding a quaver flag to the stem of the chord. We also believe that the notation should be corrected like that:

  • such a rhythm results from the way the L.H. part is written under the R.H., especially in the 1st half of the bar;
  • an erroneous oversight of one element of notation – a quaver flag – seems to be more likely than entering a superfluous or wrong rest.

category imprint: Interpretations within context; Differences between sources

issues: Errors of A , FE revisions , Errors repeated in GE