Issues : Corrections in A
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b. 1
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composition: Op. 28 No. 21, Prelude in B♭ major category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Changed phrase length |
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b. 1
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composition: Op. 28 No. 18, Prelude in F minor
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In A we can see the initial tempo indication having been deleted – Presto con fuoco. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Changes of tempo markings |
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b. 1
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A one can see that Chopin initially wrote category imprint: Corrections & alterations; Source & stylistic information issues: Changes of metre , Corrections in A , Chopin's hesitations , Deletions in A |
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b. 2-3
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composition: Op. 10 No 7, Etude in C major
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Initially, the slur of A in bar 2 ended on the last note in this bar (same as in bar 1). Chopin, while adding the slur in bar 3, ensured that it is added to the previous one, which can be considered as a template for all similar situations. category imprint: Corrections & alterations issues: Corrections in A |
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b. 2
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composition: Op. 10 No 8, Etude in F major
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In A there are visible traces of deleting the original version of the 1st quaver in the L.H. It seems that its notation did not go beyond the staff, it could have been, e.g., the F-c fifth. category imprint: Corrections & alterations issues: Corrections in A |
to mark the time signature on both staves. Moreover, the eventually left 6/8 reveal (also on both staves) minor crossings-out, which seem to be digits preceding the digits 6, although it is difficult to guess what their meaning could be. Anyways, it is an example of Chopin's hesitation, since the time signature in