Issues : Annotations in teaching copies
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b. 1-3
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composition: Op. 25 No 7, Etude in C♯ minor
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The pedalling of FES is written with a hand of a pupil, yet one can believe that it corresponds to the indications coming from Chopin. Similarly in bar 5. category imprint: Differences between sources |
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b. 1
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composition: Op. 25 No 8, Etude in D♭ major
category imprint: Differences between sources |
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b. 1-3
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composition: Op. 64 No 1, Waltz in D♭ major
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In the main text we include the fingering written in pencil in the first three bars of FED; it probably comes from Chopin. category imprint: Differences between sources |
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b. 1
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The fingering was probably added by Chopin. category imprint: Differences between sources |
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b. 1-4
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composition: Op. 64 No 1, Waltz in D♭ major
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The addition in FED – trill 4 bars – probably means a variant of beginning the Waltz in a way similar to the return of the main section from bar 69. We give each of the variants – four- and eight-bar – in the version with fingering, written also in FED, or without. As starts right away with accompaniment, which corresponds with bar 5 of the version of later autographs and editions. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants , Main-line changes , Differences in form |
