Issues : Hairpins denoting continuation
b. 41
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composition: Op. 10 No 3, Etude in E major
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According to us, the mark used by Chopin is to be understood as continuation of the previous one, which is indicated by the homogeneity of figurations and structural issues (four-bar section with 1+1+2 structure). In the times of Chopin, two signs | at the transition between the lines were commonly interchangeably used with | . category imprint: Interpretations within context; Differences between sources issues: Hairpins denoting continuation |
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b. 44-45
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composition: Op. 45, Prelude in C♯ minor
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In the main text we give the hairpins of GE. As an alternative we propose a version which can be considered an attempt to reinterpret the mark. category imprint: Differences between sources issues: Hairpins denoting continuation |
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b. 68-69
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composition: Op. 45, Prelude in C♯ minor
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In the main text we give the hairpins of GE. As an alternative, we propose a version which can be considered an attempt to reinterpret the sign. category imprint: Differences between sources issues: Hairpins denoting continuation |
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b. 69-70
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composition: Op. 35, Sonata in B♭ minor, Mvt II category imprint: Differences between sources issues: FE revisions , Hairpins denoting continuation |
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b. 72-73
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composition: Op. 45, Prelude in C♯ minor
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Lack of signs in FE (→EE) is probably a result of a less precise marking of [A1]. The comparison with analogous bars in the entire Prelude indicates a possibility of an inaccurate (incomplete) notation also in GE. Due to that fact, in the main text we propose to complete the sign in bar 72. We also give an alternative proposition (one-and-a-half bar sign), based on the prevailing in GE way of marking similar bars. category imprint: Differences between sources issues: Hairpins denoting continuation |