Issues : Main-line changes
|
b. 328
|
composition: Op. 2, Variations, complete
..
As was the case with the 5th triplet in bar 325, here the 3rd triplet is presented in AsI in its initial form. In both places Chopin eventually opted for a more regular form of the figuration. category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
|||||
|
b. 340-348
|
composition: Op. 31, Scherzo in B♭ minor
..
The crossings-out and additions visible in A in b. 340 & 348 allow us to reconstruct the original version of the passage in these bars: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
|||||
|
b. 352
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The layout of the notes in A suggests that the group of quavers initially included only four notes: category imprint: Corrections & alterations issues: Corrections in A , Main-line changes |
.
.