mUltimate Chopin

Text Compare Notes Sources Description

Issues :

b. 46

composition: Op. 2, Variations, complete

Wedge in A (→GE→EE)

Wedge after A (→GE→EE)

No mark in FE & FESB
..

The lack of a wedge is probably an oversight by the engravers of FE and FESB.

category imprint: Differences between sources

issues: Errors in FE ,

b. 47-48

composition: Op. 2, Variations, complete

Vertical accents in AsI

Different accents in A (→GE1→GE2)

Short accents in FE

Short accents in EE

Long accent in b. 48 in FESB

Long accents in GE3
..

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Long accents , Inaccuracies in GE , Inaccuracies in FE ,

b. 47-49

composition: Op. 2, Variations, complete

Wedges in A (→GE→FE,EE)

No marks in FESB
..

FESB omitted all staccato marks in these bars – 5 in the L.H. part, 1 in the R.H. part – which is clearly an error.

category imprint: Differences between sources

issues:

b. 55-57

composition: Op. 2, Variations, complete

Wedges in A (→GE→FE,EE)

No marks in FESB
..

The lack of wedges over the quavers ending the four demisemiquaver figures is probably the result of the FESB engraver's inattention.

category imprint: Differences between sources

issues:

b. 56-57

composition: Op. 2, Variations, complete

..

In both figures including rests, a hemidemisemiquaver beam was overlooked in FESB. Consequently, in each of these bars the R.H. has one too many hemidemisemiquavers.

category imprint: Interpretations within context; Differences between sources

issues: