Issues : Incomplete sources
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b. 20-32
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composition: Op. 25 No 2, Etude in F minor
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The score of AT ends in the middle of bar 20, while the following part is signalised as itd. (et cetera). In the following part of the Etude, the source is not considered in the notes. category imprint: Differences between sources; Source & stylistic information issues: Incomplete sources |
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b. 31-38
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Amar includes only eight bars, corresponding to bars 31-38 of the entire Marche. Certain elements of the notation present in this autograph are of no application to the whole (the tempo indication and time signature, the final indications, etc.), whereas the other, appearing in the final version, do not concern the fragmentary version of Amar (the repetition signs at the beginning and end of these bars). category imprint: Differences between sources issues: Incomplete sources |
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b. 37-72
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composition: Op. 50 No. 1, Mazurka in G major
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Afrag encompasses b. 1-12 only and is not taken into account in the notes featured on this page. category imprint: Source & stylistic information issues: Incomplete sources |
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b. 43-64
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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Amar, the autograph of a fragment of the middle section of Marche, includes only bars 31-38, hence it is included in the notes only in these bars. category imprint: Source & stylistic information issues: Incomplete sources |
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b. 49-50
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composition: Op. 10 No 9, Etude in F minor
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In AI the part of the L.H. in bars 49-50 is not written out or suggested in any way (similarly in bars 51-63). It is a proof of an increasing draft nature of this manuscript from the middle of the Etude. category imprint: Differences between sources issues: Incomplete sources |