Issues : Enharmonic corrections
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b. 455-463
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composition: Op. 21, Concerto in F minor, Mvt III
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While proofreading FE (→EE), Chopin changed – just like in analogous bars 415 and 423 – d category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections of FE |
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b. 535
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see that the 1st octave was originally written as E-e. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Enharmonic corrections |
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b. 657
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composition: Op. 11, Concerto in E minor, Mvt I
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FE (→EE, GE1 (→GE2) has a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Enharmonic corrections , Authentic corrections of FE |
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b. 730
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composition: Op. 31, Scherzo in B♭ minor
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In A one can see that Chopin started writing the g quaver as a category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Enharmonic corrections |
2 to e
2 featured on the penultimate quaver in bars 455 and 463.
before a before the 2nd chord in the L.H. It is a remaining element of the original notation of the 1st chord, in which there was an a
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